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The 19th Century development
of photography was, of course, instrumental to The
Camera Sequence and the accession of Camera
Man.
For Barfield (and
the idea is of course not original with him), photography changed the nature
of art:
The advent
of the photograph did something which could hardly have been anticipated
by those who invented it, though it may well be that it would not have
worried about them if it had. It all took a little time, but one thing
that the photograph did was to kill stone dead (well not quite stone dead,
for the wound has only proved mortal in our own time) just that leading
principle of aesthetic theory, that principle of art, which had held sway
at least from the time of Aristotle down to the eighteenth century, the
theory that the function of the artist is to imitate nature. The imitation
of nature, now that it was being done by applying the sweet rules of perspective,
had become altogether too easy; so easy that you could make a little gimmick
that would do it all for you. (RM 71)
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