Bibliography

Abrams, M.H. “Review of History, Guilt, and Habit.” Towards 1.5(1979): 27-29.

Adey, Lionel. C. S. Lewis’ “Great War” with Owen Barfield. English Literary Studies Monograph Series. University of Victoria, 1978.

Avens, Roberts. Imagination is Reality: Western Nirvana in Jung, Hillman, Barfield, and Cassirer. Dallas: Spring, 1980.

Bancroft, Anne. “Rudolf Steiner.” Modern Mystics and Sages. London: Granada, 1976: 188-202.

Barfield, Owen. A Barfield Reader: Selections from the Writings of Owen Barfield. Edited by G. B. Tennyson. Hanover, NH: University Press of New England/Wesleyan University Press, 1999.

___. A Barfield Sampler: Poetry and Fiction by Owen Barfield. With an Afterword by Owen Barfield. Edited by Jeanne Clayton Hunter and Thomas Kranidas. Albany, NY: State University of New York Press, 1993.

___. “A Conversation with Owen Barfield.” Interview with Shirley Sugerman. Evolution of Consciousness: Studies in Polarity. Edited by Shirley Sugerman. Middletown, CT: Wesleyan University Press, 1976. 3-28.

___. “The Evolution Complex.” Towards 2.2 (Spring 1982): 6-12, 14-16.

___. History in English Words. London: Methuen and Co., Ltd., 1926.

  • First American edition. With an Introduction by George Philip Krapp, Ph.D.
  • New York: George H. Doran Co., [1926].
  • New York: Doubleday, Doran and Co., [1926].
  • Second edition, revised. London: Methuen and Co., Ltd., 1933.
  • New edition. London: Faber and Faber, 1954.
  • Faber Paperback, 1962. Reprinted 1964, 1969.
  • Revised edition. Foreword by W. H. Auden. Grand Rapids, MI: William B. Eerdmans Publishing Co., 1967.
  • New York: Inner Traditions; West Stockbridge, MA: Lindisfarne Press
  • Edinburgh: Floris Books, Floris Classics, 2002
  • New York: Barnes and Noble, Inc., 2009.

___. “Owen Barfield and the Origin of Language.” Towards 1.2 (June 1978): 1, 3-7; 1.3 (Dec. 1978): 13-15.

___. Poetic Diction: A Study in Meaning. London: Faber and Gwyer, Ltd., 1928.

  • Second edition. London: Faber and Faber, 1952.
  • Second edition reprinted with an Introduction by Howard Nemerov. New York: McGraw-Hill, 1964.
  • Third edition, with an Afterword by the author. Middletown, CT: Wesleyan University Press, 1973.
  • Reprinted Norwood, PA: Norwood Editions, 1975.
  • 2nd Wesleyan ed., 1984.
  • Fourth edition, with Prefaces and Afterword by the author. Oxford, England: Barfield Press UK, 2010.

___. Romanticism Comes of Age. London: Anthroposophical Publishing Co., 1944.

  • New and augmented edition. London: Rudolf Steiner Press, 1966.
  • Middletown, CT: Wesleyan University Press, 1967.
  • Wesleyan Paperback, 1986.
  • San Raphael, CA: Sophia Perennis, The Barfield Press, 2006.

___. The Silver Trumpet. Illustrated by Gilbert James. London: Faber and Gwyer, Ltd., 1925.

  • New edition. Designed and illustrated by Betty Beebe. Grand Rapids, MI: William B. Eerdmans Publishing Co., 1968.
  • New edition. Edited with an afterword by Marjorie Mead. With illustrations by Josephine Spence. Longmont, CO: Bookmakers Guild, 1986.

___. Speaker’s Meaning. Middletown, CT. Wesleyan University Press; London: Rudolf Steiner Press, 1967.

  • Reprinted by Rudolf Steiner Press, 1972.
  • Wesleyan Paperback, 1984.
  • San Rafael, CA: Sophia Perennis, The Barfield Press, 2006.

___. This Ever Diverse Pair. London: Victor Gollancz, 1950.

  • New edition, as by Owen Barfield.  Edinburgh: Floris Books, Floris Classics, 1985.
  • Third edition. Oxford, England: Barfield Press UK, 2010.
  • ___. Unancestral Voice. London: Faber and Faber, 1965.
  • First American edition. Middletown, CT: Wesleyan University Press, 1965.
  • Wesleyan Paperback, 1988.
  • San Rafael, CA: Sophia Perennis, The Barfield Press, 2006.
  • Third edition. Oxford, England: Barfield Press UK, 2010.

___. What Coleridge Thought. Middletown, CT: Wesleyan University Press, 1971.

  • London: Oxford University Press, 1972.
  • Wesleyan Paperback, 1983.
  • San Rafael, CA: Sophia Perennis, The Barfield Press, 2006.

___. Worlds Apart (A Dialogue of the 1960’s). London: Faber and Faber, 1963.

  • First American edition. Middletown, CT: Wesleyan University Press, 1964. Wesleyan Paperback, 1971.
  • US edition reprinted as Worlds Apart: a dialogue of the 1960s.
  • San Rafael, CA: Sophia Perennis, The Barfield Press, 2006.

Barzun, Jacques. “Why Talk About Art? On Erwin Panofsky’s The Life and Art of Albrecht Dürer.” A Company of Readers: Uncollected Writings of W> H. Auden, Jacques Barzun, and Lionel Trilling from the Readers’ Subscription and Mid-Century Book Clubs. Ed. Arthur Krystal.New York: Free Press, 2001. 165-70.

Bateson, Gregory. Steps Toward an Ecology of Mind. NY: Ballantine, 1972.

Berman, Morris. Coming to Our Senses: Body and Spirit in the Hidden History of the West. New York: Bantam, 1990.

Bronowski, J. The Identity of Man. Garden City: The Natural History Press, 1966.

Brown, Norman O. Apocalypse and/or Metamorphosis. Berkeley: University of California Press, 1991.

Bullock, Alan and Oliver Stallybrass, eds. The Harper Dictionary of Modern Thought. NY: Harper and Row, 1977.

Cioran, E. M. Drawn and Quartered. Trans. Richard Howard. New York: Seaver Books, 1983.

Coleridge, Samuel Taylor. Biographia Literaria: Biographical Sketches of My Literary Life and Opinions. Ed. James Engell and W. Jackson Bate. Princeton: Princeton U P, 1985.

Selected Poetry and Prose. Ed. Elizabeth Schneider. NY: HRW, 1971.

Dawkins, Richard. The Selfish Gene. NY: Oxford U P, 1976.

Edel, Leon. Stuff Of Sleep And Dreams: Experiments in Literary Psychology. New York : Harper & Row, 1982.

Flieger, Verlyn. “Barfield’s Poetic Diction and Splintered Light.” Studies in the Literary Imagination 14:2 (1981): 47-66.

Fruman, Norman. Coleridge, the Damaged Archangel. New York: Braziller, 1971.

Frye, Northrop, Sheridan Baker, and George Perkins. The Harper Handbook to Literature. NY: Harper and Row, 1985.

Fulweiler, Howard W. “The Other Missing Link: Owen Barfield and the Scientific Imagination.” Renascence: Essays on Values in Literature 46.1 (1993): 39-55.

Gardner, Howard. Creating Minds: An Anatomy of Creativity Seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi. New York: Basic Books, 1993.

Grant, Patrick. “Belief in Thinking: Owen Barfield and Michael Polanyi.” Six Modern Authors and Problems of Belief. New York: Barnes and Noble, 1979: 121-66.

___. “The Quality of Thinking: Owen Barfield as Literary Man and Anthroposophist.” Seven 3 (1982): 113-25.

Gruber, Howard E. “And the Bush Was not Consummed.’ The Evolving Systems Approach to Creativity.” Towards a Theory of Psychological Development. Ed. Sahan and Celia Modgli. Windsor, England: NFER, 1980. 269-99.

___. “Breakaway Minds” (interview with Howard Gardner). Psychology Today, July 1981: 68-73.

___. “History and Creative Work: From the Most Ordinary to the Most Exalted.” Journal of the History of the Behavioral Sciences 19(1983): 4-15.

___. “On the Relation Between ‘Aha’ Experiences’ and the Construction of Ideas.” History of Science 19(1981): 41-59.

___. and S.N. Davis. “Inching Our Way Up Mount Olympus: The Evolving Systems Approach to Creative Thinking.” The Nature of Creativity. Ed. R.J. Sternberg. New York: Cambridge U  P, 1988. 243-69.

Hillman, James. Re-Visioning Psychology. NY: Harper and Row, 1975.

Hipolito, T. A. “Owen Barfield’s Poetic Diction.” Renascence: Essays on Values in Literature 46.1 (1993): 3-39.

Hocks, Richard A. “The Other Postmodern Theorist: Owen Barfield’s Concept of the Evolution of  Consciousness.” Tradition & Discovery: The Polanyi Society Periodical XVIII (1991-92): 27-38. 

Hunter, Jeanne Clayton. “Owen Barfield: A Change of Consciousness.” The Nassau Review 4.5 (1984): 93-101.

___. “Owen Barfield: Christian Apologist.” Renascence: Essays on Values in Literature 36 (1984): 171-79.

Jaynes, Julian. The Origin of Consciousness in the Breakdown of the Bicameral Mind. Boston: Houghton-Mifflin, 1976.

Keats, John. Selected Poetry and Letters. Ed. Richard Harter Fogle. NY: HRW, 1969.

Kranidas, Thomas. “C. S. Lewis and the Poetry of Owen Barfield.” The Bulletin of the New York C. S. Lewis Society 12.2 (1980): 1-2.

___. “The Defiant Lyricism of Owen Barfield.” Seven: An Anglo American Literary Review. 6 (1985), 23-33.

Kuhn, Thomas. The Structure of Scientific Revolutions, 2nd Edition. Chicago: University of Chicago Press, 1970.

Lavery, David. “Creative Work: On the Method of Howard Gruber.” Journal of Humanistic Psychology 33.2 (1993): 101-21.

Lewis, C. S. The Abolition of Man. NY: Macmillan, 1947.

___. That Hideous Strength: A Modern Fairy Tale for Grown-Ups. 1946; rpt. NY: Macmillan, 1965.

___. Surprised by Joy: The Shape of My Early Life. New York: Harcourt, Brace, 1956.

Malmkjaer, Kirsten, ed. The Linguistics Encyclopedia. New York: Routledge, 1991.

Monod, Jacques. Chance and Necessity. Trans. Austryn Wainhouse. NY: Vintage, 1971.

Myers, Doris T. C. S. Lewis in Context. Kent, OH: Kent State U P, 1994.

Nietzsche, Friedrich. The Gay Science. Trans. Walter Kaufmann. New York: Vintage, 1974.

Olsen, Tillie. Silences. New York: Dell, 1978.

Orwell, George. 1984. NY: NAL, 1949.

Owen Barfield: Man and Meaning (1997). Executive Producer: G. B. Tennyson. Co-producers: G. B. Tennyson and David Lavery. Written by G. B. Tennyson and David Lavery. Directed by Ben Levin. Videography by Wayne Derrick.

Peters, F. E. Greek Philosophical Terms: A Historical Lexicon. NY: New York U P, 1967.

Pickering, George. Creative Malady. New York: Oxford University Press, 1974.

Potts, Donna. Howard Nemerov and Objective Idealism: The Influence of Owen Barfield. Columbia: University of Missouri Press, 1994.

Preminger, Alex, ed. The Princeton Encyclopedia of Poetry and Poetics.

Reese, W.L. Dictionary of Philosophy and Religion: Eastern and Western Thought. Atlantic Highlands, NJ: Humanities Press, 1980.

Reilly, R. J. “Anthroposophical Romanticism.” Romantic Religion: A Study in the Work of Owen Barfield, C. S. Lewis, and J. R. R. Tolkien. Athens: University of Georgia Press, 1971: 13-97.

Roszak, Theodore. Unfinished Animal: The Aquarian Frontier and the Evolution of Consciousness. NY: Harper and Row, 1975.

Schwenk, Theodore. Sensitive Chaos: The Creation of Flowing Forms in Water and Air. Trans, Olive Whicher and Johanna Wrigley. NY: Shocken Books, 1965.

Singer, June. Boundaries of the Soul: The Practice of Jung’s Psychology. Garden City: Anchor Books, 1972.

Steiner, Rudolf. Lucifer and Ahriman. London: Steiner Press, 1954.

___. Mystics of the Renaissance and Their Relation to Modern Thought. New York: Knickerbocker Press, 1911.

Sugerman, Shirley. “Barspecs: Owen Barfield’s Vision.” Seven 11 (1990): 73-85.

___. “A Conversation with Owen Barfield.” The Evolution of Consciousness 3-28.

___, ed. The Evolution of Consciousness: Studies in Polarity. Middletown, CT: Wesleyan University Press, 1976.

Sulloway, Frank. Freud: Biologist of Mind. New York: Basic Books, 1996.

Tennyson, G. B. “Foreword.” History, Guilt, and Habit ix-xx.

___. “Owen Barfield and the Rebirth of Meaning.” Southern Review 5 (1969): 42-57.

___. “Owen Barfield: First and Last Inklings.” The World & I, April 1990: 540-55.

Vendler, Helen. The Odes of John Keats. Cambridge: Harvard U P, 1985.

Whorf, Benjamin. Language, Thought, and Reality: Selected Writings of Benjamin Lee Whorf. Edited by John B. Carroll. Cambridge: MIT Press, 1956.

Woolf, Virginia. A Room of One’s Own. NY: HBJ, 1929.

Copyright © 1997 — Owen Barfield Literary Estate.       Return to Top.